Watching Lynch. It’s shot with a multiple assortments of cameras and lenses and ways of lighting — this is from one of the behind Inland Empire scenes. Beautiful and it’s just a throw-away. I want to see an entire movie lit like this, shadows with lots of contrasts and this bleached yellowy light. I think it would be very effective in the hands of a great director/writer/cinematographer team. (And yes, I know it could easily turn into shit too.)